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Lynd Ward's first work, God's Man, uses a blend of Art Deco and Expressionist styles to tell the story of an artist's struggle with his craft, his seduction and subsequent abuse by money and power, and his escape to innocence. Ward, in employing the concept of the wordless pictorial narrative, acknowledged as his predecessors the European artists Frans Masereel and Otto Nuckel. Released the week of the 1929 stock market crash, the book was the first of six wood engraving Ward novels produced over the next eight years, including: Madman's Drum (1930); Wild Pilgrimage (1932); Prelude to a Million Years (1933); Song Without Words (1936); and Vertigo (193