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The first collection on this important topic, Captive Audience examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre. Beginning with an essay by Harold Pinter, the original contributions discuss work including Harold Pinter's screenplays for The Handmaid's Tale and The Trial, Theatrical Prison Projects and Marat/Sade.
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Previews available in: English
Showing 9 featured editions. View all 9 editions?
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1
Captive Audience: Prison and Captivity in Contemporary Theatre
2014, Taylor & Francis Group
in English
0415762588 9780415762588
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2
Captive Audience: Prison and Captivity in Contemporary Theatre
2004, Taylor & Francis Group
in English
0203494857 9780203494851
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3
Captive Audience: Prison and Captivity in Contemporary Theatre
2004, Taylor & Francis Group
in English
1135888957 9781135888954
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4
Captive Audience: Prison and Captivity in Contemporary Theatre
2004, Taylor & Francis Group
in English
1135888949 9781135888947
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5
Captive Audience
2004, Taylor & Francis Group Plc
Electronic resource
in English
0203578406 9780203578407
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6
Captive Audience: Prison and Captivity in Contemporary Theatre
2004, Taylor & Francis Group
in English
1135888906 9781135888909
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7
Captive Audience: Prison and Captivity in Contemporary Theatre
2004, Taylor & Francis Group
in English
1135888922 9781135888923
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8
Captive Audience: Prison and Captivity in Contemporary Theatre (Studies in Moderndrama, 19)
September 12, 2003, Routledge
in English
0415965802 9780415965804
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9
Captive Audience: Prison and Captivity in Contemporary Theater
2003, Taylor & Francis Group
in English
1280047941 9781280047947
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