Literature and poetry.

Studies on the English language; the poetry of the Bible; the Dies iræ; the Stabat Mater; the hymns of St. Bernard; the university, ancient and modern; Dante Alighieri; the Divina commedia by Philip Schaff.

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July 24, 2014 | History

Literature and poetry.

Studies on the English language; the poetry of the Bible; the Dies iræ; the Stabat Mater; the hymns of St. Bernard; the university, ancient and modern; Dante Alighieri; the Divina commedia by Philip Schaff.

  • 0 Ratings
  • 1 Want to read
  • 0 Currently reading
  • 0 Have read

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Table of Contents

CONTENTS.
I. The English Language : Heterogeneous in Formation, Homogeneous in Character, Universal in Destination for the Spread of Civilization, 1-62
Language and Reason, 1. — Origin of Language, 2. — Diversity of Language, 8-4. — The English Language — Grimm's Judgment, 5. — The Composite Character of the English Race and Language, 6. — The Proportion of Saxon, Latin, and other Elements in English, 7-8. — The Anglo-Saxon Stock, 9-14. — The Saxon Element in the English Bible, 14. — Illustrations from Shakespeare, 15. — The Latin Element, 16. — Original Latinisms, 16-19. — French Latinisms, 19-21. — The Gradual Mingling of the Saxon and Norman, 21-28. — The Relation of the Norman and Saxon Elements, 28-26. — Illustrations from Milton, 26. — Illustrations from Daniel Webster, 26-29. — The Other Elements of the English Language, 29. — The Celtic Element, 29. — The Danish, or Norse Element, 30. — Hebrew Words, 31. — Greek Words, 31. — Dutch Words, 32. — Italian Words, 33. — Spanish Words, 33. Arabic Words, 33. — Persian Words, 33. — Turkish Words, 34. — Slavonic Words, 34. — Indian Words and Names, 34. — Americanisms, 34. — Hybrid Words, 35. — The Organic Union of these Elements, 36. — Results of this Mixture. Spelling, 37. — New Middle Sounds, 38. — Musical English — Illustrations from Byron, Tennyson, and Poe, 37-38. — Simplicity of the Grammar, 40-41. — Brevity, 42-45. — Monosyllabic Character, 45. — Illustrations from Shakespeare, Wordsworth, Byron, Tennyson, 46-60. — Large Number of Synonyms, 51-54. — Perfectibility, 64-56. — Cosmopolitan Destination, 66. — Spread of the English Language, 66-69. — Providential Design, 59-60. — The English Language and the Bible, 60-62. — Conclusion, 62.
II. The Poetry of the Bible, 63-188
Origin of Poetry and Music, 64. — Poetry and Inspiration, 65. — Poetry and Religion, 65. — The Poetry of the Bible, 66. — The Spirit of Bible Poetry, 70.— Poetic Merit, 74. — Tributes of Poets and Scholars to Hebrew Poetry, 77. Classification of Bible Poetry, 79. — Lyric Poetry, 80. — The Song of Lamech, 82. — The Song of Moses, 83. — Lyrics in the Later Historical Books, 86. — David's Lament of Jonathan, 88.— The Psalter, 91. — The Lamentations, 93. — Lyrics in the New Testament, 95. — Didactic Poetry, 97. — The Proverbs, 99. — Ecclesiastes, 104. — Fable and Parable, 105. — Prophetic Poetry, 106. — Dramatic Poetry, 112. — The Song of Songs, 113. — The Book of Job, 116. — The Form of Bible Poetry: Poetic Diction, 120. — Versification, 122. — Parallelism of Members, 125. — Literature on Bible Poetry, 130.
III. The Dies Irae, 134-186
The Received Latin Text, 184. — The Name and Use of the Poem, 134. — Contents, 134. — Character and Value, 138. — Opinions of Critics, 141. — Origin and History, 145. — Thomas of Celano, 146. — The Text of Mantua, 149. — The Text of Hammerlin of Zurich, 160. — A Political Perversion, 161. — Translation of the Dies Irae, 162. — English Translations, 155. — German Translations, 173. — Literature, 182. — Chronological List of English Versions, 183.
IV. The Stabat Mater Dolorosa, 187-217
The Two Stabat Maters, 187. — The Mater Dolorosa, 188. — Character and History of the Hymn, 190. — Francis of Assisi, 195. — Jacobus de Benedicts, 196. — English Translations, 198. — German Translations, 210. — Literature, 216.
V. The Stabat Mater Speciosa, 218-231
The Latin Text, 218. — The Discovery of the Mater Speciosa, 220. — Authorship, 222. — Merits, 222. — English Translations, 228. — German Translations, 229.
VI. St. Bernard as a Hymnist, 232-256
Sketch of St. Bernard of Clairvaux, 232. — "Jesu dulcis Memoria," 233. — The Benedictine Text, 234. — Mone's Text, 237. — English Translations, by Caswall, 239. — By J. W. Alexander, 241. — By Ray Palmer, 242. — By A. Coles, 242. — German Translation by Count Zinzendorf, 243. — St. Bernard's Passion Hymns, 245. — Ad Cor Christi : "Sumrai Regis Cor, A veto," 245. — Translation of Edward A. Washburn, 246. — Ad Faciem Christi: "Salve Caput Cruentatum," 248. — Translation by Mrs. E. R. Charles, 249. — By A. Coles, 250. — Modern Reproductions of Ancient Hymns, 252. — Gerhardt's "O Haupt voll Blut und Wunden," 253. — J. W. Alexander's "O Sacred Head now Wounded," 253.
VII. The University: Past, Present, and Future, 256-278
The Mediaeval University, 256. The University of Bologna,262. The Eighth Centenary of the University of Bologna, 265. — The American University, 273. — Appendix, 278.
VIII. Dante Alighieri, 279-337
Dante, Shakespeare, Goethe, 279. — Life of Dante, 284. — Dante and Beatrice, 286. — The Donna Pietosa, 292. — Dante's Education, 298. — His Learning, 299. — His Marriage, 299. — Dante in Public Life, 300. — His Banishment. Dante and Boniface VIII., 303. — Dante in Exile, 304. — Can Grande, the Veltro, and the Dux, 308. — Dante in Ravenna, 312. — Death and Burial, 313. — Posthumous Fame, 314. — The Sixth Centenary of Dante's Birth, 316. — Character and Habits of Dante, 316. — Portraits of Dante, 317. — The Works of Dante, 319. — The New Life, 319. — The Banquet, 319. — On the Empire, 320. — The Canzoniere, 322. — On Popular Eloquence, 323. — On Water and Earth, 323. — Letters, 324. — The Creed, 324. — The Comedy, 325. — Note on Giotto's Portrait of Dante, 325.
Dante Chronicle, 326
Dante Literature, 338
IX. Poetic Tributes to Dante 338-344
Michael Angelo Buonarotti, 338. — Ludwig Uhland, 839. — W. W. Skeat, 340. — Henry Wards worth Longfellow, 343. — Alfred Tennyson, 343. — Emanuel Geibel, 344.
X. The Divina Commedia 345-42
General Estimate, 345. — The Sources of the Commedia, 348. — Name of the Poem, 352. — Time of Composition, 354. — Duration of the Vision, 356. — Dante's Cosmology, 357. — Explanation of the Commedia, 360. — Design of the Commedia, 365. — The Way to Paradise, 867. — The Poetic Form of the Commedia, 370. — The Dark Forest, 372. — The Inscription to Hell, 373. — Eternal Punishment, 375. — Vestibule or Fore-Hell, 378. — The Structure of the Inferno, 380. — Sin and Punishment, 382. — Impartiality of Dante, 383. — The Nine Circles of the Inferno, 384. — The Purgatorio, 392. — The Paradiso, 395. — The Beatific Vision, 403. — Dante's Theology, 405. — Dante's Relation to the Papacy and the Reformation, 410. — Dante and the Joachimites, 416. — Dante and Schelling. The Three Ages of Christianity, 424.
Alphabetical Index, 431-436
Illustrations.
Dante's Universe, 367
Dante's Inferno, 380
Dante's Purgatorio, 392
The Rose of the Blessed, in Dante's Paradiso, 403

Edition Notes

Published in
New York

ID Numbers

Open Library
OL25909249M
Internet Archive
LiteratureAndPoetry
OCLC/WorldCat
1926772

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