The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation.
An edition of The Secret History
(1992)
El secreto
Primera edición en México.
by Donna Tartt
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Last edited by Tom Morris
August 13, 2024 | History
"No es fácil ir haciendo amigos en una universidad de Nueva Inglaterra si eres una chico modesto y falto de afecto recién llegado de California, y Richard Papen lo sabe; por eso agradece que lo admitan en un pequeño grupo de cinco estudiantes capitaneados por un profesor de literatura clásica con mucho carisma y pocos escrúpulos. Los chicos sueltan comentarios en griego y se ríen de la ingenuidad y la torpeza de los demás, pero bien mirado se pasan el día bebiendo y engullendo pastillas, hasta que un mal día las que parecían chiquilladas se convierten en palabras mayores. Sólo entonces Richard y su pandilla descubren qué difícil es vivir sin máscaras y qué fácil es matar sin remordimientos."--P.[4] of cover.
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Showing 10 featured editions. View all 52 editions?
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El secreto
2014, Penguin Random House Grupo Editorial, S.A. de C.V.
in Spanish
- Primera edición en México.
6073123949 9786073123945
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Le Maître des illusions
May 24, 2002, Pocket
Mass Market Paperback
in French
2266125338 9782266125338
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El Secreto
January 1, 2000, Plaza & Janes Editores, S.A., Plaza & Janes Editores
Paperback
in Spanish
8401327946 9788401327940
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De verborgen Geschiedenis : Vertaald door Barbara de Lange
1993, Flamingo
Paperback
in Dutch
9041403329 9789041403322
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Book Details
Edition Notes
Título original: The secret history.
Incluye referencias bibliográficas.
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Work Description
Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last - inexorably - into evil.
Excerpts
Page 1,
added by jj.jjames.
The opening line.
Does such a thing as ‘the fatal flaw’, that showy dark crack running down the middle of a life, exist outside of literature? I used to think it didn’t. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.
Page 7,
added by jj.jjames.
The opening of the first chapter.
I was charmed by his conversation, and despite its illusion of being rather modern and digressive (to me, the hallmark of the modern mind is that it loves to wander from its subject) I now see that he was leading me by circumlocution to the same points again and again. For if the modern mind is whimsical and discursive, the classical mind is narrow, unhesitating, relentless. It is not a quality of intelligence that one encounters frequently these days. But though I can digress with the best of them, I am nothing in my soul if not obsessive.
Page 29,
added by jj.jjames.
A characterization of Richard, Julian, and Henry.
An old shoe was lying on the asphalt in front of the loading dock, where the ambulance had been only minutes before. It wasn’t Bunny’s shoe. I don’t know whose it was or how it got there. It was just an old tennis shoe lying on its side. I don’t why I remember that now, or why it made such an impact on me.
Page 376,
added by jj.jjames.
A reflection by Richard on Bunny's murder.
"There is nothing wrong with the love of Beauty. But Beauty - unless she is wed to something more meaningful - is always superficial. It is not that your Julian chooses solely to concentrate on certain, exalted things; it is that he chooses to ignore others equally as important."
Page 511,
added by jj.jjames.
Georges Laforgue on Julian Morrow.
"Well, you know what Julian would say," said Francis. "There are such things as ghosts. People everywhere have always known that. And we believe in them every bit as much as Homer did. Only now, we call them by different names. Memory. The unconscious."
Page 553,
added by jj.jjames.
Francis, talking with Richard and Camilla, in the epilogue.
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