An edition of The devil's tickets (2008)

The Devil's Tickets

  • 0 Ratings
  • 1 Want to read
  • 0 Currently reading
  • 0 Have read

My Reading Lists:

Create a new list

Check-In

×Close
Add an optional check-in date. Check-in dates are used to track yearly reading goals.
Today

  • 0 Ratings
  • 1 Want to read
  • 0 Currently reading
  • 0 Have read

Buy this book

Last edited by ImportBot
October 23, 2021 | History
An edition of The devil's tickets (2008)

The Devil's Tickets

  • 0 Ratings
  • 1 Want to read
  • 0 Currently reading
  • 0 Have read

Kansas City, 1929: Myrtle and Jack Bennett sit down with another couple for an evening of bridge. As the game intensifies, Myrtle complains that Jack is a "bum bridge player." For such insubordination, he slaps her hard in front of their stunned guests and announces he is leaving. Moments later, sobbing, with a Colt .32 pistolin hand, Myrtle fires four shots, killing her husband.The Roaring 1920s inspired nationwide fads--flagpole sitting, marathon dancing, swimming-pool endurance floating. But of all the mad games that cheered Americans between the wars, the least likely was contract bridge. As the Barnum of the bridge craze, Ely Culbertson, a tuxedoed boulevardier with a Russian accent, used mystique, brilliance, and a certain madness to transform bridge from a social pastime into a cultural movement that made him rich and famous. In writings, in lectures, and on the radio, he used the Bennett killing to dramatize bridge as the battle of the sexes. Indeed, Myrtle Bennett's murder trial became a sensation because it brought a beautiful housewife--and hints of her husband's infidelity--from the bridge table into the national spotlight. James A. Reed, Myrtle's high-powered lawyer and onetime Democratic presidential candidate, delivered soaring, tear-filled courtroom orations. As Reed waxed on about the sanctity of womanhood, he was secretly conducting an extramarital romance with a feminist trailblazer who lived next door.To the public, bridge symbolized tossing aside the ideals of the Puritans--who referred derisively to playing cards as "the Devil's tickets"--and embracing the modern age. Ina time when such fearless women as Amelia Earhart, Dorothy Parker, and Marlene Dietrich were exalted for their boldness, Culbertson positioned his game as a challenge to all housebound women. At the bridge table, he insisted, a woman could be her husband's equal, and more. In the gathering darkness of the Depression, Culbertson leveraged his own ballyhoo and naughty innuendo for all it was worth, maneuvering himself and his brilliant wife, Jo, his favorite bridge partner, into a media spectacle dubbed the Bridge Battle of the Century. Through these larger-than-life characters and the timeless partnership game they played, The Devil's Tickets captures a uniquely colorful age and a tension in marriage that is eternal.From the Hardcover edition.

Publish Date
Language
English

Buy this book

Previews available in: English

Edition Availability
Cover of: Devil's Tickets
Cover of: The Devil's Tickets
The Devil's Tickets
2009, Crown Publishing Group
Electronic resource in English
Cover of: The devil's tickets
The devil's tickets
2008, Crown Publishers
in English - 1st ed.

Add another edition?

Book Details


Edition Notes

Published in
New York

Classifications

Library of Congress
HV6534.K2 P66 2009eb

The Physical Object

Format
Electronic resource

ID Numbers

Open Library
OL24256922M
Internet Archive
devilsticketsnig0000pome
ISBN 13
9780307460363
OCLC/WorldCat
605943380
OverDrive
888FF119-2FDB-4ABA-BEA0-5D5087D65A30

Community Reviews (0)

Feedback?
No community reviews have been submitted for this work.

History

Download catalog record: RDF / JSON
October 23, 2021 Edited by ImportBot import existing book
October 13, 2020 Edited by ImportBot import existing book
July 22, 2019 Edited by MARC Bot remove fake subjects
May 17, 2012 Edited by ImportBot import new book
December 10, 2009 Created by WorkBot add works page